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It is a glorious New England morning. The light amazes. This is the view from my back porch. The windows are my little studio.
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"If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day."
—
E.B. WhiteI will head up to the studio (almost impenetrable again, with backlog and backwash from 3 weeks away.) Put on my hard hat and dig the place out.
I have been reading about Jennifer Bartlett, who I have admired ever since I stumbled on her book "In The Garden." Her work, abstract to realistic, was supported by grids and repetition. And energy, and nerve. Of her decision to work on pre-manufactured square enamel plates: "I was looking for a way to get work done without the burden of having to do anything good...I thought that if I could just eliminate everything I hated doing, like stretching canvas, then I'd be able to work a lot more."
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