Monday, July 25, 2016

Color, cards, and a tip of the hat

After a hot, productive day, I decided to take on Papertrey Ink's invitation to play with color in the spirit of Andy Warhol.  

 Inspired by the current state of my work table,
My work table tonight
I picked out a stamp from a set about art supplies:
Part of the set - Anyone know the maker?

The Papertrey video explains the steps well enough for even a slapdash person like me to follow. More or less. 

Sticky notes, printed and trimmed, mask the stamps. Painter's tape masks the grounds, one at a time.
Getting started.
 When I slipped up doing the backgrounds, the result reminded me of a shadow. So I repeated the effect in the other quadrants. A soft pink frame and a Papertrey wish finished it off.
Finished
 Lots of fun. Might just do this again tomorrow.

Thursday, July 21, 2016

Add and Subtract

The track of memories has drawn me to this photo, taken by my father over 50 years ago. Me and my big sister, in matching outfits made by my mother's mom.
Easter bonnets. Easter flowers.
  
 Old photos often serve me as source for sketch book explorations. 
Recently I realized that even  my rudimentary Photoshop skills were enough to manipulate images on the computer.
experimenting with addition and subtraction

What to add, what to remove, to evoke change, loss, memory?
three layers of past tense images

Every idea is a branching path.
I picked this one to follow this spring.
Layered image, reversed for transfer printing

Printed and transferred onto vintage tea napkin, the image argued with earlier random dying. It ached for color. So I painted, collaged, and stitched.

After a month's rest, that seemed too chaotic. Perhaps I'm responding to the news. It seemed important to bring more unity, to echo pattern, to calm and center the piece.
12x12, mixed media, mounted on board


What do you think? Finished now?





Wednesday, July 20, 2016

Snow in July

Sometimes it's good to lean back. Imagine chilly winds, while hot sun streams through studio windows.

Papertrey Ink's newest demo prodded me to test watercolor effects with stamping. This was the best result, worked on smooth Bristol. Spritzing  the tree stamp before printing gave the image a kind of mystery glow. So I moved the scene to night, using silver embossed snowflake images as resist  for night sky watercolor layer. At the center,  JOY and the wee feather stamps, from Papertrey. The tree image is from Indigoblu. And of course, a deer, standing in the snow.